Friday, February 28, 2014

Analyzing a Soviet Cartoon

Published in The Waterbury Republican, 1991, by Edmund Valtman.
       This political cartoon, featured in The Waterbury Republican newspaper in 1991, depicted a crestfallen Russian Communist, Mikhail Gorbachev, staring forlornly at his fractured empire. During this time (late 1980s-early 1990’s), the Soviet Union was crashing to the ground due to failed policies, the world trend against Communism, and the emerging power of the United States. Gorbachev was a USSR official who tried to promote several polices to prop up the ailing country; his most famous policies were Perestroika and Glasnost. Perestroika (“restructuring”) was Gorbachev’s plan to revitalize the Soviet economy to make it a superpower once more. Glasnost (“openness”) was a policy that promoted a loosening of social media controls on the citizens of the USSR by the government. Although both policies were moderately successful, they could not prevent the degradation of world Communism and the “iron curtain.” Finally, in December of 1991, the Soviet Union was broken up into separate states/regions that claimed sovereignty for themselves.
Gorbachev
http://commons.wikimedia.org/wiki/File:RIAN_archive_850809_General_Secretary
       The crossed hammer and sickle, which was the emblem of the Soviet Union, was depicted in this cartoon as splintered and shattered (symbolizing the dissolution of the ideal communist state). The cartoon was intended for Americans, many of whom were watching the unfolding events of the Soviet Union closely. The artist, E.Valtman, showed Gorbachev as tiny, powerless, and old, but the hammer and sickle was still large and threatening. The purpose of depicting the cartoon this way was to show the ineffectiveness of Soviet attempts to rejuvenate their overstretched country (Gorbachev’s policies), as well as the menacing threat that communism, although weakened in Russia, still held (as in China, Vietnam, etc.)
Worker and Collective Farm Woman (holding hammer and sickle)
http://it.wikipedia.org/wiki/L'operaio_e_la_Kolkhoznitsa
       This American artist clearly displayed his bias towards the Soviet Union and Communism in general. The greatest facilitator by which biased was displayed was through symbols. The hammer and sickle, the icon of the struggle between capitalism and communism, was showed broken and destitute; this reflected the American relief that capitalism finally triumphed over the threatening communist beliefs. Although no statistics or facts were presented in the cartoon, this symbol was probably more effective towards an American audience because they could automatically recognize the political implications of the USSR. With one simple design, Valtman managed to degrade the Communists by showing their livelihood crushed, with a powerless official just standing there dumbfounded. The equivalent of the Soviet Union belittling America would be the Soviets depicting a shred/ burned American flag. Another symbol the cartoon used was that of the little man, Gorbachev, who was depicted as tiny, powerless, old, and tired. He was a symbol of the all the USSR officials and citizens who were watching their country split. The emotion displayed by his broken expression was interesting because it evoked a sense of pity for the man.
Mao Zedong by Valtman
       Although there is no doubt that the artist was happy to see the Soviet Union toppling down, he also showed Gorbachev as an old man who tried everything he could to keep his ship from sinking. He was powerless yet pitiable because he did try to invigorate the Soviet Economy (emotional appeal). Also, the artist used the bias of omission because he just represented a separated symbol on a barren plain. He didn’t list or draw the reasons why the Soviet Union fell or what the implications were once it tumbled. The cartoon was merely reporting the fall of a political ideology that the Americans helped conquer and quash (making is factually less valuable). Valtman made the USSR seem weak from the beginning, like a giant entity that was bound to collapse.

Picture and Word of the Day 2/28/14

Picture of the Day 2/28/14
File:Urquhart Castle distance 2.jpg
Urquhart Castle, Highland, Scotland
http://en.wikipedia.org/wiki/File:Urquhart_Castle_distance_2.jpg
Word of the Day 2/28/14

Word: Courgette

Language: French 

Meaning: Zucchini 

Thursday, February 27, 2014

Picture and Word of the Day 2/27/14

Picture of the Day 2/27/14
File:Ghent hist centrum 2.jpg
Canal in Ghent, Belgium
 http://en.wikipedia.org/wiki/File:Ghent_hist_centrum_2.jpg
Word of the Day 2/27/14

Word: Herttua

Language: Finnish 

Meaning: Duke 

Wednesday, February 26, 2014

Why is Paris so famous?

http://commons.wikimedia.org/wiki/File:Aerial_view_of_Paris.jpg
       Paris. The famous city of passionate love—or maybe the city of cliché. Why is Paris, the capital of France, so popular? It seems that everyone who remotely has their sights set on vacationing to Europe MUST visit Paris, no questions or qualms. Here are a few reasons why I think Paris is so compelling and charming to many different people; the contrasting social history, the world-class museums, the Eifel Tower, and Paris as seen through the media’s eyes has all contributed to its handsome fame.
       

       The history of Paris alone is enough to lure people of all cultures to its gates. The actual city originated with the Parisii tribe, a “barbaric” people from Gaul who settled near the Seine River. The region was renamed Lutetia by the Romans, but it formally became “Paris” in the 4th century. Gaul, now called France, was conquered by Julius Caesar during his Gallic Wars of the 1st century BCE. After his conquest, rebellions broke out sporadically among the tribes, but for the most part, it was integrated successfully into the Roman Empire. The first King of France, Clovis, ruled from 486-511 and founded the Merovingian Dynasty of France. 73 kings later, the official French Monarchy ended with Napoleon III (nephew of the Napoleon I), who ruled from 1852-1870. I believe the French Revolution attracts many travelers to Paris—imagine having kings for centuries and then the peasant’s revolt and form their own government (1789). The stark contrast between monarchy one minute and near anarchy the next is stunning; although Maximilian Robespierre, head of the Committee of Public Safety during the Revolution, started out with good intentions, he ended up dousing Paris in a bloodbath that would eventually induce the Monarchs of France to reign supreme again. Bastille Day (July 14th), the infamous use of the guillotine, and sumptuous of Versailles all attract people to Paris; the mood of a city comes in part from the richness of its history, and Paris could write volumes on its social changes (not including WWII).
Napoleon III
http://commons.wikimedia.org/wiki/File:Napoleon_III_of_France_-_Project_Gutenberg_etext_13103.jpg


Palace of Versailles
http://en.wikipedia.org/wiki/Palace_of_Versailles

       Next, Paris has a wealth of museums that entice art lovers from all over the world, not just Europe. Although the Louvre immediately comes to mind, Paris was the major scene of contemporary art in the early 20th century. Fauvism, Surrealism, Dada, Cubism, Post-Impressionism—all of them were bred in the artistically and intellectually conducive environment of the City of Lights. Famous French Modern artists include Marcel Duchamp, Andre Derain, Georges Braque, and Max Ernst. The Centre Pompidou, the premier contemporary modern art exhibition hall in Paris, designed by Piano and Rogers, is a quirky, unique place where street actors and artists often perform in front of the high-tech building. The design of the edifice looks absurd on the outside—all the piping, air condition vents, electrical circuits, cooling ducts, and elevators are color coded and displayed on the industrial exterior. Paris has also long been home to artists; whether they live permanently in Paris or just swing by to hang with the Avant-Garde and see the new trends, artists flock to the Mecca of art (New York City as well). Other Museums in Paris include Musée d'Orsay, Rodin Museum, and Petit Palais. Although the Louvre is the only museum I have been to in France, descending into the transparent glass pyramid was an experience I will never forget. 
Centre Pompidou

Louvre Pyramid
           It is impossible to mention Paris and not discuss the Eiffel Tower, the icon of Paris that was constructed by Gustav Eiffel’s company in 1887. The finished product was displayed at the 1889 World’s Fair exhibition in Paris and is made of pure iron (not steel as many people assume). The prefabricated structure and message of this Tower (new machinery, modernity) is similar to Joseph Paxton’s Crystal Palace in England, which showed new technology and the enclosure/control over nature. The image of the Tower is so hackneyed because it is stamped on cheap t-shirts, made into non-biodegradable plastic figurines, and used in everyday language to refer to Paris. The field underneath, the Champ de Mars, is known for being the lush, green blanket that lies coolly underneath the modern structure. The Tower receives 7 million visitors a year, making it 35th the most visited monument in the world (behind the Louvre with 8.5 million visitors a year). It has been featured in countless movies, books, and plays; it is generally romanticized into an edifice of love /charm and a timeless classic. Skim the articles here for the number of time the Eiffel Tower has been in the background or the one of the main setting elements of movies. I have visited the Tower as well, and the view from the second deck (the third was closed on the day I went) was stunning and panoramic.

       Yes, the wine and food are excellent in Paris and the tourist attractions are endless, but Paris is also one of the world capitals of fashion. Paris fashion week, usually held during each season, attracts luxurious, high end designers with cutting edge trends and styles. Famous French fashion designers include Hermès, Christian Dior, Yves Saint Laurent, Louis Vuitton, and Coco Chanel. Their names, omnipresent in fashion as well as everyday vocabulary, have transformed the world of design into a popular and well regarded profession. French fashion became particularly well known during the reign of King Louis XIV, or the “Sun King.” The licentious ballet builder of Versailles, Louis was famous for his curly wig, dainty legs, and the ritualistic, aristocratic lifestyle at Versailles (formerly a hunting lodge). Paris gradually evolved into the center of “Haute Couture,” and the present day Avenue des Champs-Élysée has luxury clothing, makeup, and shoe stores; it is akin to the fancy street leading up the Spanish Steps in Rome and Times Square in New York City. Finally, Coco Chanel, the fashion designer born in 1883, created more wearable and comfortable outfits for women—no more confining corsets! Along with her signature perfume, the adage of “the little black dress,” and her rivalry with fellow designer Elsa Schiaparelli (who also collaborated with Dali and other surrealists), Chanel was allegedly a Nazi sympathizer. However, she is famous for her inspiring/feminist quotes such as, “A girl should be two things: classy and fabulous.” 
Coco Chanel
       To conclude, Paris still fascinates me just as it does any seasoned traveler. The food, culture, museums, landmarks, and appearance in pop culture propels it the list of most visited cities in the world (#2 in Europe). Although the Parisian people have the reputation of being snooty, I am willing to overlook that because their environment, history, and possession of the Venus de Milo in the Louvre compel me to do so.


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Picture and Word of the Day 2/26/14

Picture of the Day 2/26/14
File:Positano III.jpg
Positano, Italy
http://en.wikipedia.org/wiki/File:Positano_III.jpg
Word of the Day 2/26/14

Word: Barokowy

Language: Polish 

Meaning: Baroque 

Tuesday, February 25, 2014

Picture and Word of the Day 2/25/14

Picture of the Day 2/25/14
File:Celje Water Tower, July 2007.JPG
Celje Water Tower, Celje, Slovenia
http://en.wikipedia.org/wiki/File:Celje_Water_Tower,_July_2007.JPG
Word of the Day 2/25/14

Word: Bråkig

Language: Swedish 

Meaning: Rowdy 

Monday, February 24, 2014

The Sunflower, Gustav Klimt, 1907

Watch my video here:

       Klimt, an Austrian symbolist and Art Nouveau painter, was the President of the Vienna Secession, Austria’s avant-garde art group of the early 20th century. The symbol of their group (including artists such as Fabiani and Auchentaller) was Pallas Athena, the powerful Greek goddess of war and wisdom. Their art was generally decorative, ornate, and an escape from the boring, tepid European world. Their style was similar to the Art Nouveau movement in France which was also ornamental and had sinuous, organic lines. The painting depicts a sunflower at the top of a dense stalk with heavy leaves and a base of bright flowers underneath. This was painted during Klimt’s “Golden Phase,” where he put gold leaf on his images for a luxurious effect. The image has a certain sparkling, ephemeral mood like this “Eden” the viewer is looking at is dream-like and celestial. Klimt’s most famous painting, “The Kiss,” also used gold leaf and had an iridescent surface. Like that painting, “The Sunflower” has an upright, triangular form in the middle; it could be another portrait of the lovers in the “The Kiss” or Emilie Floge, Klimt’s longtime confidant who was a fashion designer and dress maker. The sunflower could be her head while the flower bush on the bottom is the ruffle of her dress. This oil on canvas is natural and organic, but seems to idealize nature. The dominant colors are deep blue and varying shades of green and yellow. There is interesting bluish/purplish highlighting on the leaves that echoes the white spots illuminating the shady background. The uniform dark backdrop draws the eye to the central sunflower, which is downturned like it is frowning (although it is still opulent and regal looking). A certain sense of sadness pervades the image; the feeling is only heightened by the blue tones (like Picasso’s “blue period.”) It is also similar to Van Gogh’s “Sunflowers,” which is in the post-impressionist style. Both “The Sunflower” and “The Kiss” were displayed in the Art Show in Vienna in 1908 and continue to inspire fascination/awe in their viewers today.

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Picture and Word of the Day 2/24/14

Picture of the Day 2/24/14
Theater at Assos, Turkey
http://en.wikipedia.org/wiki/Assos
Word of the Day 2/24/14

Word: Pèfòmans

Language: Haitian Creole 

Meaning: Performance